I wonder if this isn't a little like a couple of other wave related
phenomena, i.e. color and sound. When looking at colors by the specific
wave lengths associated with them, true red looks too orange, needs to
be adjusted to look right to humans. When tuning an instrument,
thinking of a piano for instance, after using a meter to get it "just
right", tuners go back and tweak the notes to make the octaves sound
true.
Gregg
Dave Bulger wrote:
>
> Waaaal,
>
> This Texas boy ain't too bright, so I've got to keep it simple.
>
> The 100/2 gives me excellent results. The 24/2 gives me excellent results.
> Since I'm lucky enough to be able to shoot exclusively for my own
> pleasure, this is all I need.
>
> The heck with the numbers, Zuiks! It's the photographs that count!
>
> Dave
>
> On Thursday, January 27, 2000 6:30 PM, John A. Prosper
> [SMTP:prosper@xxxxxxxxxxxxxxxxx] wrote:
> >
> >
> > On Thu, 27 Jan 2000 Pauls0627@xxxxxxx wrote:
> >
> > |In a message dated 01/27/2000 5:21:22 PM Eastern Standard Time,
> > |geanders@xxxxxxxxx writes:
> > |
> > |> >OM 100/2 - 3.9
> > |> >Canon 100/2 - 4.2
> > |> >Minolta 100/2 - 4.4
> > |> >Nikon 105/2.5 - 4.2
> > |> >Leica Apo-Macro-Elmarit-R 100/2.8 - 4.5
> > |> >
> > |> >OM 90/2M - 4.2
> > |> >Leica Summicron-M 90/2 - 4.3
> > |> >Tokina AT-X 90/2.5 - 4.6
> > |> >Tamron SP 90/2.5 - 4.2
> > |> >Contax G Sonnar 90/2.8 - 4.4
> > |
> > |Geez, I hope the list doesn't get into an uproar over this one.
>
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